 |
 |
Sherman Alexie
Welcome to my page for Contemporary American Indian Literature! Here you will find many resources and links as well as a class syllabus.
CLICK HERE FOR OUR CLASS MESSAGEBOARD
Click here for my page on American Indian Activists
Leslie Marmon Silko and Louise Erdrich
Contemporary American Indian Literature and Film Course Description:
Find the links!
Students compare genre fiction and literature as they read works from one or more literary genres such as mystery, fantasy, science fiction and romance. Questions of popular culture versus high culture are debated.
Our section, Contemporary American Indian Literature: American Indian cultures are alive and well and future looking. This is apparent in some of today's most dynamic literature, created by people with indigenous roots. We will consider ways contemporary Indian writers draw on traditions of songs and oral storytelling, learn about colonial times, but primarily focus on contemporary issues, forms of expression, and humor -- a major part of many Indian cultures. The writers will include Louise Erdrich, Sherman Alexie, Joy Harjo, Leslie Marmon Silko, and Laura Tohe. Through stories of sexual politics, sci-fi nightmares, magical dreamscapes, and themes of identity, resistance, friendship and rebellion, each of these writers challenge the stereotypes generated by non-Indians over the years. To further explore ways American Indians have been depicted in popular culture, we will compare movies by Indian and non-Indian filmmakers. The material will include a novel, a story collection, films, a few poems and articles, as well as your own life experience and perceptions.
Sample Required Texts: (Usually we use some combination of the below.)
The Toughest Indian in the World, Sherman Alexie
Tracks, Loiuse Erdrich
Made of Dawn, N. Scott Momaday
Grass Dancer, Susan Power
Ceremony, Leslie Marmon Silko
Fools Crow, James Welch
Native American Songs an Poetry, Anthology
Films:
Dreamkeeper
Charlie Hill on and Off the Rez
Smoke Signals, Sherman Alexie and Chris Eyre
The West (excerpts), Ken Burns
Where the Spirit Lives, Canadian Broadcasting Corp.
On and Off the Rez with Charlie Hill
(Charlie Hill with Floyd Red Crow above)
Method of Instruction: Read. Write. Listen. Observe. Read. Write. Talk! Brainstorm. Debate. Read critically. Read creatively. Read standing, read sitting, read pacing. Write. Take risks. Ask questions. Analyze. Evaluate. Explore. Discuss. Read. Imagine. Challenge your thoughts and our thoughts.
Estimated Homework: Students should block for approximately 6 hours of homework per week.
Process for Evaluation: All of the below is based on the assumption that students read the books and handouts. Reading the material is a bottom-line must.
Active Participation 25%
Discussion Leader on reading 25%
Writing based on Power or Alexie, 25%
Teaching on an American Indian figure of significance or an Artistic Interpretation: 25%
Creative interpretation: Illustrate, anaimate, or create a video or web-page based on one of the stories. Or cook native cuisine! 15%
Attendance will then be applied to the above calculations (below).
AILA’s Grading Scale: A (100-93), A- (92-90), B+ (89-87), B (86-83), B- (82-80), C+ (79-77), C (76-73), C- (72-70), D+ (69-67), D (66-65), F (64 or below; F is the only failing grade.) Since writing is a complex and subjective process I will grade holistically using the scale above. When appropriate, I will assign letter grades and not numerical grades to your writing and provide feedback for your presentation and teaching assignments. When grades are assigned instead of critique, you can assume your letter grade refers to the higher numerical grade.
Attendance will be figured into the final grade as follows: During classes that meet twice a week, 2 substantial lates equal an absence, 3 absences may result in a grade drop, 4 definitely will, and 5 will result in a failure. But who would want to miss with such fascinating literature to ponder and ideas to discuss? Onwards!
Plagiarism: You are smart and you have something to say. In this class you will have opportunities to express what is important to you. We will take your work through drafts. Writing is a process. Plagiarism isn’t only a crime that may result in expulsion from school, it is just plain goofy. However, I know this is obvious to you. Therefore, I look forward to encountering the creativity that is you and your voice. Additional Links:
nativeweb.org
Chris Eyer’s film Skins: filmfestivalreporter.com/articles/eyre_stepanek_03_2002.htm
Sample Weekly Breakdown, Including Homework
Week 1:
Intro, syllabus. What does it mean to be Indian or Native American?
Poems from Native American Songs and Poetry and additional handouts.
On and Off the Rez with Charlie Hill.
Homework: Read poems from Laura Tohe handout, handout on oral traditions, and review discussion groups in http://firstnations.com.
Week 2:
Discuss readings including poems and the oral tradition.
Teachers: Sitting Bull: The Ghost Dance/Wounded Knee:
Buffalo Bill and the Buffalo Bill show:
View sections of Ken Burns The West
Laura Tohe poems.
Homework: Read prologue and chapters 1, 2, 3, and 4 from Grass Dancer (through page 122).
Week 3:
View Where the Spirit Lives
Discuss Grass Dancer.
Screen Where the Spirit Lives.
Discussion Leader: Chapters 3 and 4:
Teachers: General Pratt and the Carlisle School:
Artistic interpretations:
Homework: Read chapters 5, 6, 7 and 8 from Grass Dancer (through page 236).
Week 4:
(Conclude Where the Spirit Lives)
Discuss Grass Dancer
Discussion Leaders: Chapter 5: Chapter 6:
Chapter 7: Chapter 8:
Teachers: The BIA:
Artistic interpretations:
Homework: Read chapters 9, 10 and 11 in Grass Dancer (through 333).
Week 5:
Discussion Leaders: Chapter 9: Chapter 10:
Teachers: Vine Deloria
Artistic interpretations:
Homework: Those who did not run discussion write paper, write a paper on Grass Dancer. I will provide a handout. Additionally read handout by Vine Deloria.
Week 6:
Further discussion of Vine Deloria
Read “The Great American Indian Novel” by Sherman Alexie
View and discuss Smoke Signals by Sherman Alexie and Chris Eyre.
Teachers: Sherman Alexie:
Homework: Sherman Alexie’s “Assimilation” and “The Toughest Indian in the World”
Week 7:
Article on mascots
Discuss “Assimilation” and “The Toughest Indian in the World”
Discussion leaders: “Assimilation”: “The Toughest Indian in the World”:
Teachers: Poet/musician Joy Harjo: Writer N. Scott Momaday
Artistic interpretations: “Assimilation”: “The Toughest Indian in the World”:
Homework: “Class” and “South by Southwest” in The Toughest Indian in the World
Week 8:
Discuss “Class” and “South by Southwest” in Alexie’s Toughest Indian in the World
Discussion leaders: “Class”: “South by Southwest”:
Teachers: Political prisoner Leonard Peltier: Writer Louise Erdrich:
Artistic interpretations: “Class”: “South by Southwest”:
Homework: Read “The Sin Eaters” and “Indian Country”
Week 9:
Read “In Dachau”
Discussion leaders: “The Sin Eaters (possibly 2),” “Indian Country”
Artistic interpretations: “The Sin Eaters” (2): “Indian Country”:
Homework: “Saint Junior,” and “Dear John Wayne”
Week 10:
Discussion Leaders on “Saint Junior”: “Dear John Wayne”:
Teachers: Activist and former vice-presidential candidate Winona LaDuke:
Writer James Welsh: Writer Leslie Marmon Silko
Artistic interpretations: “Saint Junior”: “Dear John Wayne”:
Homework: Final writing assignment and “One Good Man”
Week 11:
Possible screening of The Business of FancyDancing or “Medicine River.”
Discuss “One Good Man”
Artistic interpretation:
Artistic interpretations: “One Good Man”
Check out books by the authors we will be reading. Click to learn more about the book:
A selection of Sherman Alexie's books:
Alexie's films:
wrote the screenplay, based on his stories
his directorial debut, the business of fancydancing
A small selection of Vine Deloria books:

|